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四以上所述,通过文献上的勾连牵引,梳理出仙台母题吸收自早期西王母昆仑山信仰,经由隋唐时期洞天福地理论纳入体系,而成为宋元道教存思白日飞升的神圣场域。实际上,仙台主题、道教文化与山水画的关联早在魏晋时期便已产生。宗炳《画山水诀》点明其以图绘“澄怀观道,卧以游之”代替入名山访福地的修炼活动,顾恺之《画云台山记》即图绘道教创始人张道陵命弟子王长、赵升投身以取仙桃,七试皆过,九丹遂成,得以随张天师白日升天~1。《太平寰宇
As mentioned above, through the concoction and traction in the literature, the theme of Sendai motif, absorbed from the belief of the Early Queen Mother of the West Kunlun Mountain, is integrated into the system through the theory of cave and blessed land in the Sui and Tang dynasties. In fact, the theme of Sendai, the relationship between Taoism culture and landscape painting has already been produced in the Wei and Jin Dynasties. Zong Bing “painting landscape tactics” to point out its map “Cheng Huai Guan Road, lying to swim” instead of the famous mountain visit blessed practice, Gu Kai’s “Yuntai Mountain” that is the founder of Taoist Taoism Taoist life Disciple Wang Chang, Zhao Sheng join to take Xiantao, seven are all over, Ji Dan then into the day to be able to day by day Zhang Tian ~ 1. "Peace oneworld