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儒道两家,是中华民族文化思想领域发展的源头。春秋时期,百家争鸣的思想解放,更使得儒、道成为诸子百家中最具实力的两家,也是对立状态最明显的两家。除了在政治、思想等方面各持己见,在音乐方面,两家的态度也是截然不同。本文以美学观念为中心,阐释了儒道两家音乐心理的不同,并得出结论——儒家在音乐心理思想上更注重音乐的“有形”性,而道家更注重音乐的“无形”性。
Both Confucianism and Taoism are the source of the development of Chinese culture and ideology. During the Spring and Autumn Period, the emancipation of the ideology of a hundred schools of thought made the Confucianism and Taoism the two most powerful ones among the hundred schools of thought and the two most obvious opposition states. Apart from their own opinions on politics and thoughts, the attitude of the two parties is also quite different in terms of music. This paper, based on the aesthetic ideas, expounds the differences between the two musical psychology of Confucianism and Taoism and concludes that Confucianism pays more attention to the “tangible” nature of music in musical psychology, while Taoism pays more attention to the invisible "Sex.