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菊花具有重阳节民俗意义和隐逸思想的双重文化内涵,菊花有丰富的文化象征和独特的审美意义。菊花入画以来,经历了徐黄异体的审美差异,形成了写实工笔菊花、写意水墨菊花、没骨菊花等画法。我画菊从写生入手,突破前人画菊造型单一性,提炼出经典的菊花造型,探索出了自己菊花的形式语言。在工具材料上以水彩颜料的黑色代替传统的墨,形成既有自然笔痕、又有自然晕化的水墨效果,使整个画面水墨淋漓、自然天成。形成自己的绘画语言。
Chrysanthemums have the dual cultural connotation of the Chongyang Festival’s folk sense and seclusion thought. The chrysanthemums are rich in cultural symbols and unique aesthetic meanings. Since chrysanthemums were introduced into the painting, they have undergone the aesthetic difference of Xuhuang different forms, forming the realistic chrysanthemums, the freehand ink chrysanthemums, the boneless chrysanthemums and other painting methods. I paint daisy from the sketches of life, breaking the predecessors painted chrysanthemum unity, extracted from the classic chrysanthemum shape, to explore the form of their own chrysanthemum language. In the tool material to replace the black ink of traditional black ink, forming both natural pen marks, but also naturally faint ink effect, so that the whole picture dripping ink, natural Tiancheng. Form your own drawing language.