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本文从治疗曹禺精神创伤的角度,具体分析了这位天才剧作家的创作原动力问题。同时,正是这种来自于童年经历所造成的精神创伤显示了曹禺性格中的软弱特质,由此造成了其前后期作品的艺术水平的不均衡性。
This article specifically analyzes the creative motivation of the genius playwright from the perspective of treating Cao Yu’s trauma. At the same time, it is this trauma caused by childhood experiences that shows the weak qualities of Cao Yu’s character, which has caused the uneven artistic level of his previous and later works.