“美术”这个词,让人想起美术馆里穿着中山装参观的人群,就像一个温和的老爷爷——历经沧桑但一辈子规规矩矩。在当下的现实语境中,它代表了一种保守、传统的艺术体系。“全国青年美展”已经很久没被人提及了。20世纪80年代,它是某些青年成名的舞台。1981年的全国青年美展上,罗中立的《父亲》、陈丹青的《西藏组画》成为闻名全国的划时代作品,那是一个时代的印证,作品的社会现实意义远远超出了艺术 “Art ” the word, reminiscent of the gallery wearing a tunic visitors, like a gentle grandfather - but the vicissitudes of life but the rules. In the present context, it represents a conservative, traditional art system. “National Youth Art Exhibition ” has not been mentioned for a long time. In the 1980s, it was a stage where some young people became famous. In 1981, at the National Youth Art Exhibition, Luo Zhongli’s “Father” and Chen Danqing’s “Tibetan Group Painting” became famous epoch-making works all over the country. This is a proof of the times that the social reality of the works goes far beyond the art