“新历史主义”小说对于历史的发难,于一开始还是凭藉了强烈的个人意识。历史话语在它那里,承当起了展示自我虚构的权力,并借以表达对于现实的焦虑,而这种作为在现代时期小说的历史观照里已经显现出来。由于时代启蒙理性的洗礼,20世纪20—40年代的中国小说,开始浸润作家愈益明显的个我主体意识。故此,二者之间还是有着相等程度的亲缘性的。 “New Historicism ” novels for the history of the attack, at the beginning or by virtue of a strong sense of personal. In its place, historical discourse assumes the power of showing self-fiction and expresses its anxiety about reality, which has already appeared in the historical perspective of contemporary novels. Due to the baptism of enlightenment from the era, the Chinese novels of the 2040s in the 20th century started to infiltrate the writer’s increasingly obvious sense of my subject. Therefore, there is still an equal degree of affinity between the two.