一金子鸥亭,被誉为近代诗文书法之父、战后日本书法界的巨匠和领袖人物。一九三一年,二十六岁的金子鸥亭来到东京,拜师于称为昭和空海的比田井天来,从事于书法的专门研究。天来正是通过学习中国和日本的古典文化,从中理解书法,修得书法,并形成了自创一派的书法。基于天来的指导,青年时代的金子鸥亭如鱼一得水般地在此领域里茁壮成长。一九三五年,二十九岁的金子鸥亭出版了《书法理论及指导方法》,以新调和体论为题材,对于日本的书法该如 A gold gull kiosk, known as the father of modern poetry and calligraphy, post-war Japanese calligrapher master and leader. In 1931, the 26-year-old gold gull kin came to Tokyo to work in a field called Takeda Showa, where he specialized in calligraphy. It is through the study of ancient Chinese and Japanese classical culture, from understanding calligraphy, cultivating calligraphy, and formed a calligraphy of their own faction. Based on days of guidance, the youthful gold gull kiosks thrive in this area. In 1935, the twenty-one-year-old Golden Apgujeong published “Calligraphy Theory and Guidance Methodology” with a theme of new reconciliation and body composition. For Japanese calligraphy, such as