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一幅构图完美、笔法精妙、意味深长的《喜报丰收图》,让观者心生美感。可完美的形式中所附加的内容却把我们带剑那段匪夷所思的民族劫难之中。那个年代虽已远去,但这幅画却幸存了下来,已成为那个时代的一个缩影。潘天寿(1897—1971年)浙江宁海县冠庄村人:原名天谨,学名天授,后改天寿,字大颐,号阿寿,别署懒秃、朽居士、懒道人、懒头陀、颐者、心阿兰若主持、寿者、古竹园丁寿者。晚年常署“雷婆头峰寿者”。著有《中国绘画史》《听天阁画谈随笔》等。
A composition of the perfect, exquisite style, meaningful “happy newspaper harvest map”, so that viewers heart beauty. What can be attached to the perfect form gives us the incredible ethnographic catastrophe. Although that era has gone, but this picture has survived, has become a microcosm of that era. Pan Tianshou (1897-1971) Guan Zhuang Village, Ninghai County, Zhejiang Province: formerly known as Tian Jin, Tian Tian Shou, later Tian Shou, Da Yi, No. A Shou, another lazy bald, immortal, lazy, lazy Tuo, If the heart Alan presided over, Shou, ancient bamboo longevity. In his later years, the Standing Department “thunder peak life Shou ”. Author of “history of Chinese painting” “hear day tower painting talk essay” and so on.