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我在北京,又是好几年没有欣赏评弹了。但是上世纪60年代上海的几家书场,刘天韵、蒋月泉、张鸿声、朱慧珍、陈希安、赵开生、余红仙等等老中青三代评弹名家,《玉蜻蜒》、《三笑》、《大明英烈传》以及《一定要把淮河修好》、《林冲》等等优秀书目,至今萦绕脑际,念念难忘。忽然收到老友吴宗锡同志寄来他的著作《走进评弹》,我心中那根评弹的弦立时轻轻响了起来。宗锡以他的生命走进了评弹,我此刻走进了他写评弹的书。《走进评弹》是宗锡第六部关于评弹艺术的论著,此前几部我都有赠书。1 0年前他的《听书论艺集》出版,我就为他的理论辛劳而感到应该写点什么,却一直没有动笔,因而也一直有着欠债的心情。现在又出了《走进评弹》,尽管我更为老迈,脑拙笔慢,我还是要说说我的读后感。不是为了还债,是为了确实有可说应说的想法。
I am in Beijing, but also for several years did not appreciate the Pingtan. However, in the 1960s several bookstores in Shanghai such as Liu Tianyun, Jiang Yuequan, Zhang Hongsheng, Zhu Huizhen, Chen Xi’an, Zhao Kaisheng, Yu Hongxian, and other elite triad critics, “The Dragonfly”, “Three Laughs” “Huaihe River must be repaired”, “Lin Chong” and so on excellent bibliographies so far lingering, read unforgettable. Suddenly received Comrade Wu Zongxi from his old friend sent his book “Into the Pingtan”, my heart that bomb Pingxiao strings gently rang. Zong Xi stepped into the Pingtan with his life, and at the moment I went into the book where he wrote the bomb. “Entering into Pingtan” is the sixth book of Zongxi on the art of Pingtan, after a few of my books have been given. When I published his “Theory of Listening to Books” about 10 years ago, I felt I should write something about his theory of hard work, but I did not work on it. As a result, I still had feelings of debt. And now out of “into the applause”, even though I am more elderly, brains pen slowly, I still have to talk about my sense of readiness. Not for debt repayment, but for what we can say.