中国是一个诗歌的国度。在唐诗宋词元曲的浸润下,无论是中国的高山还是河流,无论是城市还是乡村,是诗人还是农夫,都氤氲在一种浓浓的文化里。穿过历史的烟尘,虽然散曲的辉煌时期已经渐行渐远,,但明代的散曲却并未就此消散了它的风华。它继承着元代散曲的余韵,走出了自己的绝代风华。明散曲虽然难以超越元代散曲的辉煌,但让表现出较高的艺术成就,诗人难以忽视其在明代文学史上的地位。其中,冯惟敏的 China is a country of poetry. In the infiltration of the Tang and Song poetry, whether it is China’s mountains or rivers, whether urban or rural, is a poet or farmer, are wandering in a thick culture. Through the history of the smoke and dust, although the glorious period of diffuse Qu Yuan has been lopsided, but the Ming Dynasty’s Sanqu did not dissipate its elegance. It inherits the aftertaste of Yuan Dynasty Sanqu, out of his own life. Though it is difficult to explain the splendor of Sanqu in Yuan dynasty, it is difficult for the poet to ignore his position in the literary history of the Ming Dynasty. Among them, Feng Weimin’s