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从20世纪50年代前苏联著名文艺理论家米哈伊尔·巴赫金提出“复调小说”理论一直到现在,“复调小说”的理论一直发生着变化。由最初巴赫金从俄国著名文学家陀思妥耶夫斯基的小说创作中提出的“声音和意识”的复调理论到后来捷克文学家昆德拉小说“文体”的复调理论,复调小说理论发生了巨大的变化,本文欲以巴赫金和昆德拉的“复调”理论为契机来探讨复调小说理论究竟发生了怎样的变化,从而对该理论的流变有个清晰的认识。
From the theory of “polyphonic novel” put forward by famous literary theorist Mikhail Bakhtin in the 1950s until now, the theory of “polyphonic novel” has been changing all the time. From the polyphonic theory of “sound and consciousness” originally proposed by Bakhtin in the novel creation of Dostoyevsky, a famous Russian writer, to the polyphonic tune of later Kunquira novel “Stylistic” of Czech writer Theory and polyphonic novels have undergone tremendous changes. This paper tries to explore the changes of the theory of polyphonic novels based on the theory of “polyphony” by Bakhtin and Kundera, Change has a clear understanding.