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从现代主义开始,对书写符号表意方式的激进变革(意象主义、漩涡主义、意识流、间离效果)与重塑对事物之感知的迫切要求(回到事物本身),从根本上动摇了文学自文艺复兴以来的对作者、灵感、社会或时代精神的非文本性归属。现代主义作为对写作之潜力被激活后的反应,重新界定了写作的场所与真实,让人们理解了技巧是如何产生并作用于文学的。在实践的领域(现代主义诗、小说)以及研究的领域(形式主义、新批评)出现一个类似的倾向,即在符号
Starting from modernism, radical changes in the way symbolic representations of written symbols (imagery, edulism, stream of consciousness, effects of separation) and the urgent need to reshape the perception of things (back to the thing itself) have fundamentally shaken literature Non-textual attribution to the author, inspiration, society or the spirit of the times since the Renaissance. As a reaction to the potential of writing, modernism has redefined the place and reality of writing and has given people an idea of how skills are produced and applied to literature. A similar tendency appears in the fields of practice (modernist poetry, fiction) and areas of study (formalism, new criticism)