80年代中期以来,舞台上的戏曲(主要是在城市)逐渐萧条。与此相反,屏幕上的戏曲电视剧却异军突起,日渐兴旺。这当然与电视这一拥有广大观众的传媒手段有关,但戏曲电视剧编导们的艰辛探索与努力实践,也是一个重要原因。这中间,安徽电视台女导演胡连翠,从1987年到1993年,7年间推出6部黄梅戏音乐电视剧《西厢记》、《朱熹与丽娘》、《遥指杏花村》、《桃花扇》、《半把剪刀》、《五堂春》,获 Since the mid-1980s, the drama on stage (mainly in cities) has been gradually sluggish. On the contrary, the dramas and dramas on the screen are emerging in a sudden and flourishing manner. Of course, this is related to the television media, which has a vast audience. However, it is also an important reason for the painstaking exploration and hard work of drama directors. In the middle, Anhui TV director Hu Lian Cui, from 1987 to 1993, introduced seven Huangmei opera musicals, including The West Chamber, Zhu Xi and Li Niang, Yao Yuan Heng Fa Chuen, Peach Blossom Fan, Scissors “,” five spring ", won