导戏是相当艰苦的。导演一出被多少名流演红、演定了型的剧目更显艰难。86年3月,领导上交给我和舒羽同志新改编的赣剧青阳腔剧本《盗草》。新改本一反故态,和全国所有剧种目前上演的《盗仙草》不同。它把一出以“出手”技巧性很强的小武戏,改为以情见长的折子戏:白素贞为获得仙草,向鹤鹿二童倾吐对许仙的深情挚爱。搏斗中力竭败阵,夺过二童的长枪,企图以死殉情,终于感动二童,甘冒师父责罚,将仙草送与白素贞。剧本新的立意,促使我们要排出一个和目前各剧种上演不一样的《盗仙草》。这些年,开放、搞活,外来文化的大量引进,人们观念更新,社会节奏加快,群众从被动接受转为主动的选择。和人民需求,激变的情趣,寻求的刺激相比,戏曲明显地落伍了。剧场上座率在急速下降再下降。戏曲危机的因素是多种多样的。但其中有一条是戏曲剧团本身的自我封闭和禁锢。主要表现在一味强 Guided play is pretty tough. How many celebrities did a director show red, staged type of play even more difficult. March 86, the leadership handed over to me and Comrade Shu Yu new adaptation of the Jiangxi Opera Qingyang Opera script “Pirates of the Caribbean.” The new version of this an anti-ancestral, and all the country’s drama currently staged “Pirates of the False” is different. It turned out a “martial arts” shot skillful strong martial arts, to love the witness of the show: Bai Suzhen to obtain immortality, to Helu two children pour deep affection for Xu Xian. Fighting exhausted, won two prodigal son, attempting to die in love, and finally touched the two children, willing to take Master punishment, the immortality sent to Bai Suzhen. The new conception of the script promulgated us to emit a “grasshopper” that is different from the current drama. In recent years, a large number of people have taken the lead in opening up, revitalization and foreign culture. People have renewed their concepts, the social rhythm has been accelerated, and the masses have turned from passive acceptance to active choice. Compared with the needs of the people, the passionate changes and the stimuli sought, the opera has obviously fallen behind. Theater attendance plummeted again. The factors of drama crisis are varied. But one of them is the self-enclosure and imprisonment of the opera troupe itself. Mainly in the blindly strong