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我国古代经卷、书籍中的木刻插图很多,创始也早,但被人们作为艺术品类收集珍藏,却是从本世纪三十年代前后才开始的,而且先是由少数学者倡言,后渐引起国人注意.惟多重视古籍版本年代为要.“插图”或“插画”一词,始自近代出现.过去称作“全相”,如元代至治(约1321年)间刊印的《全相武王伐纣平话》.上图下文,由卷首到卷终.或名“注图”,如嘉庆(1796一1820年)间,朱璞依宋本复刻增益的《三字经注图》,是随文补以图画,便于识字.或称“图咏”,如明万历二十四年(1596年)刻本《新词图咏笔花楼新声》、光绪十二年(1886年)《聊斋志异图咏》.也有名为“纂图”者,如至元六
There are many woodcut illustrations in ancient volumes and books in our country. Their origins were early but they were collected by people as art collections. However, they started from around the 1930s and began to be noticed by a few scholars. However, it is important to pay more attention to the age of the ancient books. The word “illustrations” or “illustrations” began in modern times and used to be called “all phases” in the past. For example, Cut Ping Ping dialect. “Pictured below, from the beginning of the scroll to the end of the volume or the name” Note map “, such as Jiaqing (1796-1820), Zhu Pu Yi Song engraved gain” three characters by the Note map “ Picture, easy to read, or ”figure Wing“, such as the Ming Wanli twenty-four years (1596) engraved ”new word map pen pen floor new sound“, twelve years Guangxu (1886) There are also known as ”compilation map" who, such as Yuan six