对于传统版画的复制,缺少客观的评价。一种观点认为,它单一、落后,是工具书里的插图,是一种阅读的辅助,是为文字服务的,是文学的附庸;还有一种观点认为,它的文化内涵没有现当代版画多,缺少精神性的理念与诉求。进人21世纪以来,西方艺术大潮涌进国门。“求新”、“求异”成为艺术家追逐的目标,版画艺术更是走在时代的风口浪尖上,从形式、媒材到对本体语言的探索都让 For the traditional print copy, the lack of objective evaluation. A view that it is a single, backward, is an illustration of the tool book is a reading aid, is to serve the text, is the vassal of literature; there is a view that its cultural connotations and no more contemporary prints , The lack of spiritual ideas and demands. Since entering the 21st century, the tide of western art surged into the country. “Innovation ”, “Varies ” has become the pursuit of the artist’s goal, print art is walking on the cusp of the times, from the form of media to the exploration of ontology language let