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乔中和《元韵谱》作为明清时期一部韵书韵图相配合的韵学著作,对于明清汉语语音,特别是明末内丘话的研究,具有重要的研究价值。《元韵谱》保留入声,入声与阴声韵相配,且入声字存在文白层次。本文在前人研究的基础上,分析《元韵谱》入声字的文白层次,结合今河北内丘话,考察文白层次的形成及发展。《元韵谱》入声字的文白层次并非个案,在明清韵书韵图中非常普遍,因此本文扩大考察范围,以入声字文白层次作为研究视角,选取明清时期几种有代表性的文献材料进行比较,综合考察《元韵谱》入声字文白层次的性质。
Qiao Zhong and “Yuan Yun spectrum”, as a rhyme book matched with a rhyme book in Ming and Qing Dynasties, is of great research value for the study of Chinese phonetics in the Ming and Qing Dynasties, especially in the late Ming. “Yuan Yun spectrum” to keep into the sound, sound and shade matching rhyme, and into the rhyme there is literal level. On the basis of previous studies, this paper analyzes the literal level of “Yuan Yun Pu” into the phonetic characters, and examines the formation and development of the literal level with the introduction of Neiqiu in Hebei Province today. The literal level of “Yuan Yun Pu” into the sound of words is not the case. It is very common in the rhyme rhymes of the Ming and Qing Dynasties. Therefore, this article expands the scope of investigation, Sex literature material comparison, a comprehensive study of the “Yuan Yun spectrum” into the character of the white level.