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研究古陶瓷,重点在文化历史。本期汇编了一组有关陶瓷纹饰的稿件。这组文稿中有言之有物的文论,洋洋洒洒追本穷源,概述积淀在青瓷纹饰上的文化艺术。文章以各大博物馆的馆藏青瓷及墓葬出土青瓷的纹样、装饰风格为依据,剖析了中国古代青瓷,把我们引进静默而灵动的艺术世界;有饶有兴趣的小品,以小见大地反映出窑匠画师文字创造的聪明才智;也有旁征博引的文章,从元明清瓷绘上麒麟纹的变化,寻找到时代的烙印。本期的《写在瓷器上的御制诗》,说的是四件官窑器都写着嘉庆皇帝一首平庸的诗。试想:那些经过科举考试金榜题名的大臣们难道分辨不出诗的好坏?写在瓷器上的御制诗,只能是这些大臣巴结皇帝、掩盖自身贪腐的“马屁功夫”。一把平凡的紫泥,经过火的煅烧成为一件器皿,加上一个简洁的图案,或一句简单的话语,就能将那个时代的政治和生活清晰呈现。紫砂器上的书画一文,道出了紫砂真缔。本期的《日本“伊万里”彩绘青花赏析》一文作者是位通晓日文的画家,从日本的原始资料中找到一种说法:1616年,被日本古肥前国(今佐贺县)佐贺藩主、武将锅岛直茂掠回的朝鲜陶工李参平,于伊万里附近有田町泉山上发现了白瓷土,并在有田东部上白川天狗谷开窑,成功烧制出日本第一代青花瓷器,从此,李参平被尊为陶祖。解读陶瓷纹饰上的玄文密码,讲述彩绘陶瓷上的故事传说,是文化探寻也是陶瓷研究。陶瓷纹饰是形象的文化历史教材,当然也是陶瓷断代的重要依据。陶瓷纹饰的研究方兴未艾,我们还将陆续编发这方面的文稿。
Study ancient ceramics, with emphasis on cultural history. This issue has compiled a set of manuscripts on ceramic ornamentation. This group of literary criticism of literary works, eloquent Chaoyuanyuan, outlined in the accumulation of celadon decoration on the arts and culture. The article analyzes the ancient Chinese celadon and introduces us to the art world of silence and agility, based on the patterns of celadon excavated in the celadons and tombs of the major museums and the ornamental style. There are interesting sketches reflecting the kilns Carpenter painting the text created by the cleverness; there are articles cited Bo cited, from Yuan and Qing porcelain painting unicorn pattern changes, looking for the brand of the times. This issue of “Imperial poetry written on porcelain,” said four kilns are written Jiaqing Emperor a mediocre poem. Imagine: those who pass the examinations gold list of the ministers can not tell the poem is good or bad? Imperial poetry written on porcelain, only these Minister Emperor Barthes, to cover up their own corruption “horse ass kung fu ”. An ordinary purple clay, calcined by fire to become a vessel, coupled with a simple pattern, or a simple speech, will be able to clearly represent the politics and life of that era. Zisha on a painting, tells the truth Zisha. This issue of “Japan ” Imari “painted blue and white Appreciation,” the author is a Japanese-familiar painter to find a statement from the Japanese sources: In 1616, was Japan’s ancient fertilizer former State (now Saga Prefecture) Saga The vassal, the generals and generals Mao Zedong plundering the North Korean potters Li Ping, found in Imari-cho near Awana Quanshan discovered white porcelain soil, and in the eastern part of the Tin Shirakawa Tengu Valley open kiln, the successful firing of Japan’s first generation of blue and white porcelain, since then, Li Shouping respect for Tao Zu. Interpretation of the mystery of the ceramic pattern on the password, tell the story of the legendary painting on ceramics, is also a cultural exploration ceramic research. Ceramic ornamentation is the image of cultural history textbook, of course, is an important basis for the generation of ceramics. The research on ceramic decoration is in the ascendant and we will compile the contributions in this area.