早在80年代后半期,中国戏曲界便喊出“振兴戏曲”之类的口号。可越是要“振兴”,戏曲越是不景气:演员流失、观众减少、经费紧张……。到了1992年邓小平同志南巡讲话发表后,甚至有人竟提出让戏曲在静穆中“高贵地死去”的主张。这样的强刺激对于戏曲的振兴虽然产生了一定的反弹效果,但迄今为止,戏曲仍然没有找到一条适应市场经济的生存之路。在我看来,其中的原因固然各种各样,然 As early as the second half of the 1980s, Chinese opera circles shouted slogans such as “Revitalizing the Opera.” But the more we want to “rejuvenate”, the more the drama is sluggish: the loss of performers, the decrease of audiences, the shortage of funds ... When Comrade Deng Xiaoping’s southern tour speech was published in 1992, even some people even proposed that the opera “die noble” in Jingmu. Such a strong stimulus for the revitalization of the opera, although it has produced some rebound effect, but so far, the opera still did not find a way to survive the market economy. In my opinion, of course, the reasons are different, of course