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拜厄特四部曲中的同性恋叙事体现了同性恋解放运动前后民众对同性恋行为所持态度的转变:从“恐同”到理解与容忍的转变。此外,拜厄特四部曲还揭示了20世纪60年代西方同性恋解放运动的重要原因:同性恋解放运动的激进分子把“身体”当成了革命道具,不仅要实现反抗异性恋霸权的愿望,还力图开启对资产阶级价值观的深度革命。最后,拜厄特四部曲还发出了对以同性恋为代表的“反叛”行为可能带来的社会危机的警示,展示了那一代人对传统道德的颠覆与超越过后的反思与反省。
The homosexual narrative in the Byatt Quartet reflects the shift in attitudes towards homosexual behavior held by the general public before and after the gay Liberation Movement: from “homophobia” to understanding and tolerance. In addition, the Bytlee Quartet also reveals an important reason for the gay liberation movement in the West in the 1960s: the activists in the gay liberation movement regarded “body ” as a revolutionary proposition, not only to achieve the desire to resist heterosexism but also Trying hard to open a profound revolution in the values of the bourgeoisie. Finally, the Byatt Quartet also issued a warning about the possible social crisis brought about by homosexual “rebellion” and demonstrated the generation’s subversive and transcendental reflection and reflection upon the traditional morality.