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通过追溯法国传记片的四个兴盛期,确认其作为法国本土语境下产生的类型片地位,反映法国社会文化的转型。当代法国传记片倾向于选择近现代人物在公共场合与个人独处时的双重人生。对于其中美国元素和影片国际影响,探讨在风格转换的大潮下身份挑战的问题。
By tracing the four prosperous periods of French biographical films, I confirm their status as type tablets in the French native context and reflect the transformation of French social culture. Contemporary French biopic films tend to choose the dual life of modern people in public places and individuals. For the international influence of elements and films in the United States, we will explore the issue of identity challenge under the tide of style transformation.