早在文字诞生之前,人类就已开始使用图形符号来传情达意,新石器时代的彩陶纹样与刻绘在崖壁上的岩画刻符都记载下了人类最初对自然界的认识与理解,以及他们当时内心的希求与期盼。这些图形随着时间的推移,历史的变迁,随着科学技术,材料工艺的不断演进,以及与外来文化不断融合而不断的延伸衍变,从而形成了中国特有的造型艺术体系。时至今日,我们所处的是一个高度现代化、信息化的社会、新材料、新技术的不断涌现使我们目不暇接,随之而来的新思想、新观念、以及国外的各种艺术思潮的涌入对中国的传统文化艺术带来了前所未有的冲击,在这种局面下,我们面对着一个如何认识传统造型艺术与现代设计的关系的问题,也就是在我们的现代设计中对传统造型艺术何去何从的问题。完全背离传统显然是不可取的,对西方现代艺术纯粹的模仿,简单的挪用将使我们 As early as before the birth of the word, human beings began to use graphic symbols to convey their feelings. Neolithic pottery patterns and petroglyphs engraved on the cliffs recorded the first human understanding and understanding of nature, Inner hope and hope. With the passage of time and the historical changes of these figures, with the continuous evolution of science and technology, materials and crafts, and continuous integration with foreign cultures, the continuous evolution has led to the formation of China’s unique system of plastic arts. Today, we are living in a highly modern and informative society. The continuous emergence of new materials and technologies has brought us dizzying ideas, new ideas and new ideas from abroad. In this situation, we face a problem of how to understand the relationship between traditional and modern design art, which is in our modern design of the traditional art of modeling Where to go from the problem. It is obviously not desirable to deviate completely from the tradition. Pure imitation of the Western modern art and simple appropriation will make us