在这个视频技术的时代,无所不在的镜头迫使我们从新的角度来看待生态学和马克思主义。镜头在一种辩证法的维度上得到运用,即以一种前所未有的方式将自然带上近前同时又推向远处。而这种辩证运用的结果是对于自然的更深的控制。镜头使得自然和人都成为展览的对象。当凝视的目光追求比真实更加真实的真实时,人们被这样的真实控制住了。这种控制的本质是对欲求的欲求。一旦生态乌托邦成为对欲求的欲求,那么它自身的意义就消失了。因此必须摧毁对欲求的欲求,这也是对资本主义社会的摧毁。 In this age of video technology, the ubiquity of the lens forces us to look at ecology and Marxism from a new perspective. The lens is used in a dialectical dimension, bringing nature to the forefront and into the distance in an unprecedented way. And the result of this dialectical application is a deeper control over nature. The lens makes nature and people the object of the exhibition. When gaze gaze for more real truth than reality, people are so controlled. The essence of this control is the desire to desire. Once the ecological utopia becomes desires for desires, its own meaning disappears. It is therefore necessary to destroy the desire for desires, which is also the destruction of capitalist society.