《四郎探母》是传统的经典名剧,自从它创演至今,出演的名角之多、影响之大、演出的场次之繁,几乎已经难以统计了。它的很多唱段,如《坐宫》,更可是谓家喻户晓。改革开放以后,曾有院团对该剧做过修改,但都是局部、小处的修改,目的是为了压缩演出的时间,但对于该剧的主题、情节、人物的戏剧关系等,从无任何修改,甚至在舞美设计方面,也无人敢越雷池一步。 “Si Lang Detective” is a classic classic play, since it hit the present, starred in many, the impact of the large number of performances, the scene is almost impossible to count. A lot of its aria, such as “sitting palace”, but it is well-known. After the reform and opening up, some of the troupes made revisions to the play, but they all made partial and small changes to reduce the time spent on the show. However, the drama’s relationship with the theme, plot and characters of the play never changed Any changes, even in the design of the stage, no one dared leap pool step.