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在有关当代英国女剧作家卡里尔·邱吉尔女性主义戏剧的研究中,鲜有研究从“元戏剧”的视角来阐释它。本文借助阿贝尔与霍恩比的元戏剧理论,从“戏中戏”“角色扮演”“自我指涉”以及“文学与真实生活的指涉”四个方面阐述邱吉尔女性主义戏剧的元戏剧特征。本文认为,邱吉尔在其女性主义戏剧中运用了元戏剧的手法,产生了布莱希特式间离效果,旨在探讨女性性别身份问题,颠覆父权制意识形态,表达女性主义哲学思想。
In the study of the contemporary British female playwright Carrie Churchill’s feminist drama, few studies have interpreted it from the perspective of “Yuan Dynasty Drama”. Based on the meta theater theory of Abel and Hornby, this essay elaborates from the four aspects of “drama”, “role play”, “self-referential” and “reference to literature and real life” Yuan Dynasty Drama in Churchill ’s Feminist Drama. This article argues that Churchill used the meta-drama approach in his feminist drama, resulting in the Brechtian-type separation effect, which explores the problem of female gender identity, subverts the ideology of patriarchy and expresses the feminist philosophy.