今年初,《上海戏剧》开辟“面向21世纪——对当代中国戏剧的新思考”专栏,很必要。世纪之交,中国社会正处于艰难而又深刻的历史转型时期,中国戏曲何去何从,的确是值得深思与探索的问题。八十年代以来,中国戏曲呈不景气走向。以上海为例,上海昆剧团演出上座率仅2成左右。上海京剧院虽然在演出场次和观众人数两方面有所增长,但波动很大,而且近年颇有回天乏力之感。那么地方剧是否欣欣 Earlier this year, it is necessary for “Shanghai Theater” to open the column of “facing the 21st century - a new reflection on contemporary Chinese drama.” At the turn of the century, Chinese society is in a difficult and profound period of historical transformation. The question of where to go for Chinese opera is indeed worth pondering and exploring. Since the 1980s, Chinese opera has been in a downturn. Shanghai, for example, Shanghai Kun Opera Troupe performances attendance only about 2 percent. Although the Shanghai Peking Opera Theater increased its performances and audiences in two ways, it fluctuated greatly, and in recent years there was quite a sense of returning to fatigue. So whether the local drama Showtime