从1979到本世纪初的二十几年中,中国当代雕塑从引入西方艺术样式到东方民族意识的自觉、社会批判意识的强化,从视觉的革命到形式语言的拓展,从现实主义、样式主义的破灭,再到雕塑作为独立语言的否定,无不呈现着多元又约显紊乱的局面。全球化 From 1979 to the first two decades of this century, the awareness of Chinese contemporary sculptures from the introduction of Western art styles to the oriental national consciousness, the intensification of social critical consciousness, the revolution from visualization to the formal language expansion, the development from the realism and the style , Then to the negation of the sculpture as an independent language, all showed a pluralistic and roughly disorganized situation. Globalization