作为心灵产物的诗歌,给生命以“精神的慰藉”几乎是标志性的答案,但具体而言,却是有区别的,因为在人生的不同阶段,在不同背景和场域,以及人际交往中,诗歌之于诗者,作用各不相同,甚至观念会自相矛盾。郭沫若有“诗歌创造人格”的观点,这话就理论本身而言,很抢眼,叫人心动,但如拿这论断对照他在特殊历史阶段的诗歌表现,似乎难以服众。艾青有“诗是心灵的活雕塑”的见地,听起来耳热,指向心灵,有共鸣。歌德呢,则定位诗 Poetry, as a spiritual product, is almost an iconic answer to life as “the spiritual comfort”, but in particular, it is different because at different stages in life, in different backgrounds and fields, and people In communication, the poetry of the poet, the role of different, and even self-contradictory ideas. Guo Mo-ruo’s idea of ​​“creating personality in poetry” is remarkably eye-catching to the theory itself, but it seems difficult to convince the public to take a look at his performance of poetry in a special historical period. Ai Qing has “poetry is the living sculpture of the soul ” see, it sounds hot, point to the heart, there is resonance. Goethe, then positioning poetry