由邯郸平调落子剧团王振林唱腔设计、河北省歌舞剧院刘军科作曲的大型魔幻舞台剧《黄粱梦》的音乐唱腔,首次把平调与落子这两个独立的剧种结合在一台剧目中。在继承平调落子传统音乐唱腔板式和曲牌元素的基础上,进行了多种手法的变化展开,极大发展了平调落子这一传统历史剧种的音乐表现力,完成了“程式性”一曲多变运用基础上“非程式性”专曲专用的现代戏曲音乐创作的成功尝试,实现了传统音乐唱腔、多种作曲技法乃至时代的融合。 By Ping Handan Pingzuozi Theater Wang Zhenlin singing design, Hebei Province Song and Dance Theater Liu Junke composer of large magic stage show “yellow beam dream” music singing, for the first time to flat tune and Lok child these two independent operas in a repertoire. On the basis of inheriting the elements of Ping Diaozu traditional music singing plate and tunes, it has carried on the change of many kinds of techniques, greatly developed the musical expressive power of Pingtong Laozi, a traditional historical drama, and completed the “program” A successful attempt to modernize musicals based on “non-programmatic” special songs has realized the integration of traditional music singing, a variety of composition techniques and even the times.