郎朗、李云迪、陈萨、宋思衡、茅为惠、王羽佳……如今,越来越多的中国青年钢琴家在国际乐坛上崭露头角,获得荣誉。他们的成功无疑是在20世纪最后20年中国掀起的“学琴热”上添加了一把火,让21世纪头10年中国社会钢琴教育呈燎原之势在全国各级城市普及开来。从表面上看,这个现象对于音乐文化普及来说具有积极意义,但由于这股热潮来得太快、太猛、太不加思索,许多问题也就接踵而至。 Lang Lang, Yundi Li, Chen Sa, Song Siheng, Mao Weihui, Wang Yujia ... Nowadays, more and more Chinese young pianists emerge in the international music scene, winning the honor. Their success undoubtedly adds a fire to the “piano music fever” set off by China in the last 20 years of the 20th century so that the piano education in Chinese society in the first decade of the 21st century will be prevailed in cities all over the country . On the surface, this phenomenon is of positive significance for the popularization of musical culture, but many problems follow one after another as the boom comes too fast, too fiercely and without thinking too much.