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今年22岁的邱玲,是武汉市汉剧艺术研究院的优秀演员。现在中国戏曲学院表演系青年演员进修班学习。去年12月,邱玲在京演出了折子戏专场:《打花鼓》、《宇宙锋》和《穆桂英智破天门阵·破阵》,以及她参加主演的、根据日本名剧改编的汉剧《曾根崎殉情》,演出之后,我应《中国戏剧》编辑部之约,拟写一篇谈邱玲表演艺术的稿子。为此,我特邀邱玲交谈。在她的娓娓长谈中,深深吸引我的,既非她的艺术成长经历,也非她对某一角色表演的具体分析,而是她那颇为早熟的、闪耀着哲理火花的艺术见解。
Qiu Ling, 22, is an excellent performer at the Han Opera Art Institute in Wuhan. Now the performance of the Department of Chinese Opera Academy young actor training classes to learn. In December last year, Qiu Ling performed a special live-action show in Beijing: “Fighting the Flower Hub”, “Cosmic Front” and “Mu Gui Ying Tomorrow Breaking the Sky” and her starring, adapted from a Japanese drama “ After the performance, I should be ”China Theater" editorial department of the contract, to be prepared to write a Qiu Ling performance manuscripts. To this end, I invited Qiu Ling talk. In her long talk, I was deeply attracted to her, neither her artistic experience of growth, nor her specific analysis of a character’s performance, but rather her premature, sparkling art of sparks of philosophy opinion.