清代康熙、雍正、乾隆三朝为太平盛世,国运盛而瓷业昌,三朝所制之瓷器,无论是在工艺技术还是产量上,都达到了历史的高峰。此三朝皇帝,政治上励精图治,文治武功卓著,更兼本身颇具一定的文化修养,尤其是他们大都嗜好艺术品,譬如乾隆帝就酷爱各类工艺品,几乎达到了狂热的程度,故尔,他们对于雅俗共赏的瓷器大力扶持,从各朝所派遣的精通制瓷的督陶官一事上,就可见一斑,先后有减应选的减窑,年希尧的年窑,唐英的唐窑等等,各具特征,其中以唐英成就为最高。在一般人看来,清代瓷器除康、雍、乾三朝外,余皆不值一谈,鲜有艺术价值可言。在相当多的书籍、图册以及众多的陶瓷展览中,都鲜见乾隆朝以后者,对于晚清瓷器的研究,着力甚少。历来研究中国陶瓷史的专家和收藏家,对于这一时期的瓷器都并不重视。 The Qing Dynasty Kangxi, Yongzheng, Qianlong three dynasties for the peace and prosperity, the country Sheng and porcelain industry Chang, the porcelain made in the Three Dynasties, both in technology and production, have reached the peak of history. The three emperors, politically diligent and well-to-do with great masters and their martial arts, have quite a few cultural accomplishments. In particular, most of them are hobby of art works. For example, Emperor Qianlong loved all kinds of handicrafts and reached an almost fanatical level. Elegance and common custom porcelain strong support, from the DPRK dispatched proficient porcelain supervision of the pottery officer on the issue, you can see, there have been reduced by the election reduction kiln, Nian Yao’s kiln, Tang Ying Tang kiln, etc., Each has its own characteristics, of which the highest achievement of Tang Ying. In most people’s eyes, the Qing Dynasty porcelain except Kang, Yong, dry three dynasties, I are not worth mentioning, there is little artistic value at all. In a considerable number of books, catalogs and numerous ceramic exhibitions, the Qianlong Dynasty to the latter are rare, late Qing Dynasty porcelain research, with little focus. Experts and collectors who have always studied the history of Chinese ceramics have not paid much attention to the porcelain of this period.