《改编剧本》是一部解构复杂但不愿意用通俗方式表现的电影,通过“电影”这一门艺术形式,用大量戏中戏、臆想与现实的交叉,来引发观众对电影艺术本身的思考。观影的时候不难发现导演和编剧的一些哲思,诸如电影叙事方式的创新、主人公本心与社会大众需求的权衡、业界对电影商业性与艺术性无休的讨论等等。本文将从三个部分,通过影视理论、心理学等角度,对《改编》剧本的故事构建进行讨论。 “Adapted from the script” is a deconstruction complex but do not want to use the popular way of performance of the film, through the “movie ” this art form, with a lot of drama, imagination and reality of the cross, to cause the audience to the movie itself Thinking. During the filming, it is not difficult to find some philosophies of directors and screenwriters, such as the innovation of film narrative style, the balance between protagonist’s heart and the needs of the public, and the industry’s discussions on the commercial and the artistic aspects of the film. This article will discuss the story building of “Adaptation” script from three parts, through film and television theory and psychology.