所谓阳戏,实际上就是在祭祀活动中进行的戏剧性表演的形式,通常状况下需要参加的人进行叩拜、许愿,以及还愿,属于傩戏向戏剧过渡转换的中间层次。笔者的任务,就是针对目前我国阳戏保护传承的实际状况、面临的具体挑战困境,以及日后妥善性地发展策略等内容,加以有序地论证解析,能够引起相关文化工作人员的强烈瞩目。 The so-called Yang opera is actually a form of dramatic performance performed in sacrificial activities. The bowing, wishing, and vowing of those who need to participate normally fall into the middle stage of the transition from opera to drama. The author’s task is to address the current situation of China’s cultural heritage of the protection of positive conditions, the specific challenges facing the dilemma, as well as the future development of appropriate strategy and other content, to orderly demonstration analysis, can cause the strong concern of cultural staff.