从89年秋至90年冬,我们作为苏联文学、苏联戏剧的研究者,在莫斯科进修了一年多。在许多个黄昏,我们怀着永远新鲜的心情步入一个又一个剧院。散戏后,走在行人已渐稀少的街头,萦绕心头的又总是那戏中或戏外的一幕幕。其中那些个最顽强的印象,一直伴随着我们。儿童音乐剧院的“青鸟”据说,世上并无青鸟。青鸟,不过是梅特林克笔下的一个形象,它象征着人们苦苦期待、久久追寻的幸福或希望。作为戏剧形象的青鸟,启蒙过一代又一代人对未来的遐想。对青鸟的倾慕,也把我们引入了莫斯科儿童音乐剧院。在这家以振翅在竖琴之上的青鸟为院徽的剧院中,上演的又恰好是儿童芭蕾舞剧《青鸟》。《青鸟》一剧,最早由斯坦尼斯拉夫斯基在该剧发 From the fall of 1989 to the mid-1990s, as a researcher of Soviet literature and Soviet drama, we studied in Moscow for more than a year. In many twilight, we walk into theater one after another with fresh feelings forever. After the casual play, walking in the pedestrian has been gradually fewer streets, haunting is always the scene in the play or drama. Of those most tenacious impressions, have been with us. Children’s Music Theater’s “Bluebird” is said to have no bluebird in the world. Bluebird, however, is an image of Maite Linke, which symbolizes the happiness or hope that people are looking forward to longing for a long time. As a drama of the Bluebird, enlightenment generation after generation of reverie for the future. Admiration for the Bluebird, also introduced us to the Moscow Children’s Music Theater. In this theater with the wings of a blue bird above the harp as the symbol of the theater staged just happened to be the children’s ballet “Bluebird.” “Blue Bird” a play, the earliest by Stanislavsky in the drama