士大夫主导书坛是宋代特定的历史现象,北宋尤然,故而他们的心理状态和审美情趣会直接影响到一个时代的书风。在北宋特定的社会文化背景下,士大夫中隐逸情怀弥漫。这一心态在审美取向上推动了北宋书风以清为美意识的流布。书法作为一种表现性的艺术,直通艺术家的心灵世界。如刘熙载所言:“笔性墨情,皆以其人之性情为本。”~([1])以尚意为创作理念的宋代书法更是如此。而宋代书法独特的审美风貌的形成和高峰尽在北宋一朝,北宋书法的研究对整个宋代书法来说有着正本清源的意义。北宋一代,书法不仅是士大夫们的陶写之具,而且成为他们生活的一个组成部分,士大夫们成为书法无可辩驳的创作主体和审美主体。故而,他们的思想感情、性格气质以审美趣味为中介,影响和制约了北宋书法的 The literati-led bookstore is a specific historical phenomenon in the Song Dynasty, especially the Northern Song Dynasty, therefore, their psychological status and aesthetic taste will directly affect the book style of an era. Under the specific social and cultural background of the Northern Song Dynasty, the seclusion of Scholar-officials is pervasive. This mentality in the aesthetic orientation to promote the Northern Song style of writing to clear the United States the spread of consciousness. Calligraphy as a performance of art, through the artist’s spiritual world. Such as Liu Xizai said: “pen ink, are based on the nature of their people. ” ~ ([1]) In order to make creative ideas for the calligraphy of the Song Dynasty even more so. The formation and peak of the unique aesthetic style of calligraphy in the Song Dynasty are all in the Northern Song Dynasty. The study of calligraphy in the Northern Song Dynasty has the origin of the original meaning of the Qing Dynasty calligraphy. In the Northern Song Dynasty, calligraphy was not only the writing instrument of scholars, but also an integral part of their life. Scholar-officials became irrefutable creative subjects and aesthetic subjects of calligraphy. Therefore, their thoughts and feelings, temperament and temperament to the aesthetic taste as an intermediary, affecting and restricting the Northern Song calligraphy