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以狭义的观点论之,可以说,没有装帧设计就没有书。装帧设计是对一本书从头至尾,从里到外的结构和形态的统一设计,它决定书的存在形式。装帧设计的全部过程,有着它自己内在的存在形式和基本规律,我们只有把握它,才能得心应手地搞好设计工作。如果从艺术的角度、全局的观点,熟练运用各种艺术手法去处理装帧设计的全部内容,就会陡设计本身有着一种高屋建筑瓴之势;若从艺术效果考虑,就会达到技术与艺术、内容与形式较为完美的统一,就会使装帧设计达到一个较高的艺术境界。本文作者,仅就装帧设计的构思方式问题,谈以下几点看法。 1 树立艺术观点是搞好装帧设计的前提 装帧设计不应只是从对一本书从头到尾,从里到外的结构和形态的统一安排去理解,而还应从艺术的角度去理解。立足于艺术观点去处理装帧设计的全部内容,可以说
In the narrow viewpoints, it can be said that there is no book without frame design. Frame design is a unified design of the structure and form of a book from start to finish, from the inside to the outside, which determines the existence form of the book. The whole process of binding design, with its own inherent form and basic laws, we can only grasp it in order to design work well. If from an artistic point of view, the overall point of view, proficient use of various artistic techniques to handle the full contents of the design, it will be steep design itself has a high-rise buildings 瓴 potential; if the artistic effect, will achieve technology and art , Content and form a more perfect unity, it will make the design of the frame to a higher artistic realm. The author of this article, only on the design concept of the design of the way, talk about the following views. A set of artistic point of view is to do a good job in the design of prefabricated frame design The design of the frame should not only be from a book to the end, from the inside out to the unity of the structure and form to understand, but also from an artistic point of view to understand. Based on the artistic point of view to handle the entire contents of the design, it can be said