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西方文艺复兴随着原色雕塑的出现和对古希腊雕塑的认识错误基础上,形成了仅对形态美和材质美的古典雕塑趣味审美。经过考古研究证实,古希腊雕塑都曾被绘制有色彩,只是因为历史和自然等因素,导致雕塑表面的色彩消失殆尽。回溯至古希腊时期的社会文化和自然地理背景,基于各种类型古希腊雕塑的创作目的和材质分析,重新从色彩的角度认识研究古希腊雕塑,对其色彩的语言特性和表现形式做一个简要分类,以宏观把握古希腊雕塑的审美情趣。
Western Renaissance with the emergence of primary color sculpture and ancient Greek sculpture on the basis of mistakes, formed only for the beauty of form and material beauty of the classic aesthetic taste of sculpture. After archeological research confirmed that the ancient Greek sculptures have been painted a color, just because of history and nature and other factors, resulting in the disappearance of the color of the sculpture surface. Based on the social cultural and natural geography background of the ancient Greece, based on the creation purpose and material analysis of all kinds of ancient Greek sculptures, we can know the ancient Greek sculptures again from the perspective of color and make a brief introduction to the linguistic features and expressions of their colors Classification, macroscopic grasp of the aesthetic taste of ancient Greek sculpture.