20世纪60—70年代产生的《钢琴伴唱红灯记》是中国音乐家们将西洋的钢琴和中国传统的京剧相结合的初次尝试,在创作技法上有一定的创新,获得了巨大的成功,对中国钢琴事业的发展作出了巨大的贡献。本文拟从乐曲的创作特色、乐曲的演奏要求两大方面对其进行研究。 The “Red Lantern for Piano Accompaniment” produced in the 1960s and 1970s was the first attempt by Chinese musicians to combine Western piano with Chinese traditional Peking Opera. With some innovations in creative techniques and great success, Great achievements have been made in the development of the Chinese piano industry. This article intends to study the creative features of the music and the performance requirements of the music in two aspects.