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文献纪录片以重大革命历史、重要历史人物和重点人文历史为传统关注对象,问世至今已先后跨越“形象化政论”“新纪录电影”和“新媒体时代”三个审美转型期。围绕纪录片创作的“真实性”和“艺术性”两个修辞维度,各审美阶段的文献纪录片在创作观念、题材领域、叙事手法等多个方面发生变化,从而影响其审美形态。
The documentary documentary takes the major revolutionary history, the important historical figures and the key humanities history as the traditional objects of concern. So far, the documentary Documentary films have crossed the three aesthetic transformations of “Visualization ” “New Records ” and “New Media period. Focusing on the two rhetorical dimensions of ”authenticity“ and ”artisticness" of documentary creation, documentary films of various aesthetic stages change in many aspects, such as creation concept, theme field and narrative technique, thus affecting their aesthetic forms.