张承志的《心灵史》自1991年问世以来便成为震动文坛的争议性作品。然而,文学、历史与宗教的杂糅和作家独特的思想理路,又为深入阐释这一文本带来较高的难度,形成了赞赏/批判者众多,切中肯綮者寥寥的局面。本文试图通过几篇具有典型意义的研究文章,重新展开批评与文本的对话,从题材、内容、形式和思想等诸方面解析《心灵史》的核心命题及其现实意义和文化位置,并力求突破固化的单一价值标准,更加内在地理解张承志提出的人道、人心与正义。 Zhang Chengzhi’s “Spiritual History” has become a controversial work in the literary world since its publication in 1991. However, the combination of literature, history and religion and the writer’s unique ideological rationale bring with him a high degree of difficulty in further explaining this text, forming a handful of people with appreciable / This paper attempts to re-open the dialogue between criticism and text through several research articles with typical significance, and analyzes the core proposition of “spiritual history”, its realistic meaning and cultural position from the aspects of theme, content, form and thought, Curing a single standard of value, a more intrinsic understanding of the humanism, people’s hearts and justice proposed by Zhang Chengzhi.