石涛以“一画”及“笔墨当随时代”理论与实践为中国画开辟了一全新的境界。这种理论与实践在两个世纪后的潘天寿身上得到了进一步的继承与阐扬,即这种理论最终要落实在人格以及对国家社会的一种责任感与使命感上,以脱离小我而成就大我,实现中国画的真正价值。 Shi Tao has opened up a whole new world of Chinese painting with his theory and practice of “painting ” and “writing as the time going by ”. This theory and practice have been further inherited and expounded by Pan Tianshou two centuries later, that is to say, this theory should eventually be implemented in personality and a sense of responsibility and mission to the country’s society, so as to be independent of the individual Big me, to realize the true value of Chinese painting.