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江南地域审美是人文经历的岁月所积淀下的深厚文脉,代表着最高的自由人生理想的审美情趣。江南地域性审美是诗意性的,它更加关注现代人的生活节奏和审美偏好以及个人的发展和自我实现。江南地域审美源自于自然环境,它植根于历史又面向未来,有助于我们更好地构建未来家园。笔者着眼于美学的方面并展开对当前设计现状的思考,结合中国传统的美学思想和时代的发展,探讨适合中国国情的民居室内形式。目前,许多现代设计试图继承更多的物质性设计元素的特点,使之容易显现于视觉上。而对与人们生活息息相关的非物质传统文化深层的美学却鲜有触及。因此,笔者希望从更深层次的审美内涵中去发掘室内设计审美的意义并启发当代室内设计。同时江南地域审美性也同样符合当今绿色设计的主题,并使审美回归生活化、体系化,江南独特的审美文化最有可能是当代中国传统文化崛起和复兴的承载者。
The aesthetics of Jiangnan region is the profound context accumulated by the years of human experience, representing the aesthetic taste of the highest ideal of free life. Jiangnan regional aesthetic is poetic, it is more concerned about modern life rhythm and aesthetic preferences as well as personal development and self-realization. Jiangnan regional aesthetic comes from the natural environment, it is rooted in the history and future-oriented, helps us to better build the future homeland. The author looks at the aspects of aesthetics and starts thinking about the current design situation. Combining with the traditional Chinese aesthetic ideas and the development of the times, the author explores the interior forms of dwelling houses suitable for China’s national conditions. At present, many modern designs try to inherit the characteristics of more material design elements, making it easy to visualize. However, the deep aesthetics of non-material traditional culture closely related to people’s life is rarely touched. Therefore, I hope to explore the aesthetic significance of interior design and inspire contemporary interior design from the deeper aesthetic connotation. At the same time, the aesthetics of Jiangnan region also accords with the theme of today’s green design, and makes the aesthetic return to life and system. The unique aesthetic culture of Jiangnan is most likely to be the carrier of the rise and rejuvenation of contemporary Chinese tradition.