“主旋律”是当前文艺创作的热点,因为主流评价体系对其价值观的倡导,也因为主流社会意味着的受众规模及市场潜力。“主旋律”是当前文艺创作的难点,因为其现实主义审美的易于证伪,因为其思想性与艺术性之平衡的难于把握,也因为“概念化”、“模式化”、“主题先行”等诸多陷阱的密集分布。以此衡量南方歌舞团音乐剧《烽火·冼星海》(以下简称《冼》剧),深感难能可贵,深感其代表广东舞台剧“主旋律”创作最新进展的标杆性意义。 “The main theme ” is the current hot spot in literary and artistic creation, because the mainstream rating system advocates its values, but also because of the mainstream society means the audience size and market potential. Because the realistic esthetics of the realism is easy to falsify because of the difficulty of grasping the balance between ideological and artistic features and because of “conceptualization”, “patterning”, and “ Theme first ”and many other trap-intensive distribution. In order to measure the Southern Song and Dance Troupe musical “beacon Xian Xinghai” (hereinafter referred to as “Xian” drama), commendable, deeply representative of the Guangdong stage play “main theme ” creation of the latest progress in the benchmarking.