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黎雄才,擅长山水、花鸟、人物,尤精山水,师董源、巨然、二米、马远、夏圭、倪瓒等,其作品构图清新,章法奇特,气势豪放,墨色交融。他极重视自然美,并善于发现大自然丰富多姿的美。黎雄才画风得自日本“朦胧体”的启发,吸收了日本画师横山大观的观念摈弃传统笔墨线条、追求朦胧效果。在技法上,他善于以干擦法处理石青石绿的重色,并配合上飞白相间的瓦涌互助画面效果,这是对传统水墨的一种创新和突破,丰富了当代中国山水画的艺术创作。此外,他改变了过去传统设色山水的半面处理法,把难度很高的渐次渲染法应用到中国画的画面上来,画界誉他为“黎家山水”。
Li Xiongcai, good at landscapes, flowers and birds, figures, especially fine landscapes, Dong Yu, giant, two meters, Ma Yuan, Xia Gui, Ni 瓒 and so on, his composition fresh, chapter fancy, bold, ink blend. He attaches great importance to natural beauty, and is good at discovering the rich beauty of nature. Inspired by Japan’s “Obscure Body”, Li Xiongcai’s style draws on the concept of the Japanese artist Yokoyama Grand, rejecting the lines of traditional ink and brush, and pursuing dim effects. In terms of techniques, he is adept at using the dry rub method to deal with the bluestone green color, and cooperating with the vanquishing effect of flying onto one another. This is an innovation and breakthrough in traditional ink painting, which enriches the artistic creation of contemporary Chinese landscape paintings . In addition, he changed the half-face treatment method of the traditional tinting landscape and applied the very difficult gradual rendering method to the picture of Chinese painting.