曹禺的讽刺是悲剧式、内蕴式的。他总是以舒徐温厚的笔调、不露声色地揭露令人深思、让人叹息和使人愤恨的丑恶，呈现出冷静深刻、绵里藏针的独特风格。这主要接受了儒家中庸思想的影响、鲁迅和契诃夫艺术特点的熏陶、悲剧文体美学取向的牵引以及曹禺的潜沉个性与独特戏剧观的制约。 Cao Yu’s irony is tragic, introverted. He always with Shu Xu Wenhou style, exposing the thought-provoking, sighs and resentment of the ugly, showing a deep, unique style of cotton in possession of needle. This mainly accepts the influence of Confucianism’s moderate thought, the influence of Lu Xun’s and Chekhov’s artistic features, the traction of tragedy’s stylistic aesthetics and the restriction of Cao Yu’s submerged personality and unique drama.