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《舌尖上的中国》自2012年5月在央视首播后,引起社会广泛关注,在不同年龄段的受众中皆产生巨大影响,说明老百姓从猎奇刺激的审美取向向朴素高雅的审美取向的自觉转变。中国传统艺术在欧洲艺术观念的冲击下,众多艺术家显得无所适从,其审美立场也变得较为模糊甚至是偏激。真正伟大的作品应属于揭示人性真善美的艺术家,各国各民族间的艺术表现的题材和艺术手法更是迥然不同,但是唯独情感却有着共性。中国艺术要走向世界,屹立于世界民族之林,唯一不能变的是的是对艺术的态度,真诚的态度,《舌尖上的中国》对中国当代艺术有着无限的启示。
Since its debut in May 2012 in CCTV, “China on Tongue” has drawn wide public concern and has had a huge impact on audiences of all ages. It shows that the people are consciously changing from a curious aesthetic to a simple and elegant aesthetic. . Under the impact of the traditional Chinese art concept of European art, many artists appear to be at a loss and their aesthetic position has become more vague and even extreme. The truly great works should belong to the artists who reveal the truth, the goodness and the beauty of human nature. The themes and artistic techniques of the artistic expressions of all nationalities in different countries are very different. However, emotions alone have common features. Chinese art should go to the world and stand in the forest of peoples of the world. The only thing that can not be changed is its attitude to art and its sincere attitude. China on the Tactile Tune has boundless enlightenment on Chinese contemporary art.