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传统戏曲生存艰难,是由多种原因造成的,其中最主要的原因即是戏曲自身没有及时完成向现代审美的转化。现在有些人以为传统戏曲就是夸张的脸谱,就是小嗓子演唱的声腔,就是杂耍,完全忽略了戏曲形式之内的生活内容和精神内涵,忽略了戏曲首先是用来与人沟通与人交流的文学艺术形式。上世纪八九十年代,戏曲曾经在一种共识之下积极发展,那就是“传统戏曲的现代化”与“地方戏曲的都市化”。现代化不是要颠覆传统藐视经典,都市化更不是要阳
The traditional drama has a hard life and is caused by many reasons. The most important reason is that the opera itself did not finish the transformation to the modern aesthetic in time. Nowadays some people think that traditional opera is an exaggerated face mask. It is the voice of a small throat singing. It is a vaudeville. It completely ignores the content of life and spiritual connotation in the form of opera, ignoring the fact that opera is primarily used to communicate with people and exchange literature forms of art. In the 1980s and 1990s, opera was actively developed under the consensus that “the modernization of traditional Chinese opera” and “the urbanization of local opera”. Modernization is not to subvert the traditional despise classics, urbanization more than to Yang