过去的三十年里,贝拉·非尔德曼(Bella Feldman)作品的主题几乎是深深地关切着政治,并且少有流行语言的观念,意志坚定丝毫没有玩世不恭的态度。她的作品中表现了大量的敏感性的问题,比如:女权、战争、生态等。其作品不是凭借口号的传播方式或教训的方法,相反的是,作为一个艺术家,她鼓动欣赏者从她本身极有条理的敏感和社会的操纵之间去观察其相似的问题。她有着将物质材料与内心感受及文化现实联系的能力,她这种敏锐而变动的能力,坚定不移地植根于想象与现实这两个世界之中。 For the past three decades, the theme of Bella Feldman’s work has been almost a matter of deep political concern, with few notions of popular language and firm determination without any cynicism. Her works show a lot of sensitive issues, such as: women’s rights, war, ecology and so on. Instead of using the slogan’s method of transmission or lesson, her work is, on the contrary, an artist who encourages appreciators to observe similar problems between her own highly organized sensitivities and social manipulations. She has the ability to relate physical material to inner feelings and cultural reality. Her keen and changing abilities are steadfastly rooted in the two worlds of imagination and reality.