关于创新问题《黑骏马》演出以后,许多同志问我,你对当前戏剧创新问题有何看法?作为导演,你是怎么把许多不同流派的东西融会到《黑骏马》中去的? 上千年的戏剧发展史,总结了许多戏剧理论,摸索了许多戏剧规律和法则。然而,这些理论、规律和法则,又循着历史的足迹,不断地发展和变化着。艺术贵在求新。前人可以创造、发展,今人为什么就不能有所改造、突破和求新?新生的东西一开始不可能完美和成熟,往往需要一个历史阶段中众多人的共同努力。如果说《黑骏马》得到了戏剧界的肯定,我以为这是编剧、导演、演员、舞美等各部门通力合作的结果。同时,《黑骏马》的出现,也和近一个时期戏 After the performance of “Black Horse”, many comrades asked me how do you think about the current issue of theater innovation? How did you, as a director, bring many different schools of thought to the “black horse”? For thousands of years The history of drama development has summed up many dramatic theories and explored many rules and laws of drama. However, these theories, laws and rules follow the footsteps of history and constantly evolve and change. Art is new. The predecessors can create and develop. Why can not contemporary people make breakthroughs and innovations? The newborn things can not be perfect and mature at the very beginning, and often require the joint efforts of many people in a historical stage. If “Black Horse” has been affirmed by the drama industry, I think this is the result of the co-operation between writers, directors, actors, dancers and the United States and other departments. At the same time, the emergence of “black horse”, also and nearly a period drama